Capriccio Research Paper Example | Topics and Well Written Essays - 1250 words

Capriccio - Research Paper ExampleFor purposes of this brief analysis, Phillip Sparkes work Capriccio will be analyzed. It is the intellectual of this particular author that Sparkes Capriccio represents many of the tell tale markers that music of the latter half of the 20th century engenders. Moreover, this short analysis will besides integrate with an collar of some of the primary influences that can be determined from a close listening and reflection upon Sparkes Capriccio. Even though it aptitude be convenient to assume that the almost talented composers rely only upon their own ideas to create famous compositions, the fact of the matter is that many individuals, musicians, and former composers energize a profound impact upon the way in which these composers integrate with the subject matter. Finally, from a technical and mechanical as well as theoretical understanding of music, the analysis will seek to draw inference upon the range of the instrumentation that is employed, the use of Marshall music, and the reintegration of neoclassicism and/or a greater emphasis and or concentrate on upon harmony melody point and counterpoint. Firstly, with regards to the office by which the piece deviates from the traditional understanding of 20th and 21st century music, the meeter quickly notes the complete and summation absence of dissonance and/or abstraction within the music. Although the pioneers of early 20th-century music were keen on exhibiting the hopeless and often times and meaningless nature of the gentleman condition through abstract means of musical expression, as with most friends and classical music, this approach has since become far less common. In the same means that baroque music is no longer composed, many of the themes and growths that abstraction and made so popular within the 20th century are now no longer realized within the current compositions (Ivry 13). More specifically within Sparkes Capriccio, the listener is continually integrat ed with an understanding of a complex affinity between the melody played by the soprano cornet and the harmony which is played by the remainder of the brass instruments. Naturally, in order to keep the development and ideas presented fresh, trade-offs are made at various intervals with regards to the way that they soprano cornet assumes the role of playing harmony while the backup instrumentation within the another(prenominal) brass instruments briefly take on the melody (Altena 41). From a personal experience perspective, it must be noted that Phillip Sparkes Capriccio integrated within this listener is strong level of remembrance and recognition with regards to the level of pollution and/or influence that the piece has with Aaron Coplands Appalachian Spring. This cannot be said to exacerbate or otherwise reduce the originality that is displayed within Sparkes Capriccio rather, it reinforces the previously mentioned understanding that a range of prior ideas, techniques, styles, and means are oftentimes illustrated within the work of later composers. Instead of taking away from the merits of such an original work, this can be seen as a means of paying tribute to some of the most influential members of the classical composing community. With regards to Copland, it comes as no surprise that Phillip Spark