Essay on Spiritual Poverty in James Joyces Dubliners -- Dubliners Es

Spiritual Poverty Exposed in The Dubliners Joyce describes the spiritual poverty of the pile of Dublin in the industrial age, with powerful images of mechanized humans and lively machines. In After the Race and Counterparts he delineates characters with appropriate portraits of human automation. Machines restrain human attributes and vitality in opposition to the vacuous citizens of Irelands capitalist city. Joyces white plague of metaphorical language brings to life the despair of his country. In Winesburg, Ohio, Sherwood Anderson writes an allegorical bank bill of the failure of mankind (1919). Although Anderson depicts rural life in the New World, his fellow feeling of human nature and descriptive terminology provide a semiprecious framework for examining Joyces rendition of urban misery in the Old World. The track record of the Grotesque, the opening piece of Andersons short story collection, animates the thoughts of a dying gray man It was his notion that the moment on e of the people took one of the truenesss to himself, called it his uprightness, and try to live his life by it, he became a grotesque and the truth he embraced became a falsehood. (24, Penguin Edition). This notion, that belief in a virtuoso truth or paradigm distorts people such that they become warped and bay window no longer function as human, is central to Joyces characterizations of the Dubliners. Twentieth nose taildy Homo sapiens can be distinguished from machines by their authorisation to think openly and consider myriad ideas without being paralyzed by a singular absolute. When people clutch an idea and trans social class it into an ideal, the dissolution between man and machine becomes blurred. Human automatons mechanically pursue the scheduling of their truth. In A... ... demands that he find an outlet for his frustration, and he beats his nipper to slake the strange thirst for violence of an alcoholic. When an individual seizes a single idea or paradigm they loose their humanity and assume the form of a grotesque machine. Joyces characterizations of mechanical people and animate machines in The Dubliners follow this philosophy as presented by Sherwood Anderson, and reinforce its applicability. Dubliners are anesthetized by their truths and come a paralysis of their human possibilities. Only dull machinery remains. This machinery is then unfastened of great inhumanity as it follows the scripture of its truth. Alcoholics can beat children, Capitalists can ravage countries, and Nationalists can fight wars (religious or profane) to exterminate other ethnicities. works CitedJoyce, James Dubliners, New YorkPenguin, 1993.