Kandinskys Art :: Wassily Kandinsky Artists Painters Essays

Since my first encounter with Kandinskys machination I was amazed by theircomplexity and always wondered about the creative and mindmind, which was responsible for them. The few books I managed to findon Kandinsky were extremely utilitarian as they outlined his entire careerand had a substantial list of illustrations. There were also anumber of websites available on the Internet, which containedcritiques from another(prenominal) art historians, critics and fellow artists fromaround the world. But there is not a large number of his paintingsavailable in Britain and then could only cause his art at firsthand on three occasions. If I were to attempt this coursework again Iwould perhaps try to widen my enquiry by travelling outside of theU.K. and experiencing at first hand nearly of Kandinskys more grandpieces, in order to fully feel their effect. enteringUpon my first encounter with Kandinskys painting, my eyes and indeedmy mind were overcome with a sense of puzzlement, as it see medimpossible to decipher what lay beneath his enthusiastic use of colourand distorted forms. Kandinsky hoped by freeing colour from itsrepresentational restrictions, it, like music could conjure up aseries of emotions in the soul of cerebrationer, reinforced by correspondingforms. Throughout this essay, I impart follow Kandinskys quest for apure, abstract art and attempt to view whether his passionatebelief in this spiritual art and his theories on its effects on thesoul, can truly be felt and appreciated by the average viewer, who atfirst glance would most likely view Kandinskys paintings as simplyabstract.Kandinsky was indeed a visionary, an artist who through his hypothesis-based estimates of creating a new pictorial language sought torevolutionize the art of the twentieth-century. Regarded as thefounder of abstract painting, he broke free from humanistic discipline traditionallimitations and invented the first painting for paintings sake,whereby the dissolution of the ob ject and subsequent advance ofcolour and form became means of expression in their own right. Thistheory stemmed from his fundamental belief of the importance of aspiritual art, which could be extracted only from the inner voiceof the artist. Kandinsky believed that this spiritual domain wasindestructible and therefore had the utmost authoritative power tocreate artistic messages that were as bouncy and pure as nature. Hispreoccupation with music and the freedom of expression that itprovided, matter to Kandinsky and inspired his observations on thesounds of colours, a theory based on an idea that these colours hada psychological effect on the viewer equal to the emotional effectcreated by a musical composition.Kandinsky the Russian born(p) in Moscow in 1866, Wassily Kandinsky would spend the majority of